Jean Marie Reynaud (JMR) Abscisse Jubile - Grey Anthracite

Developed without compromise and using the best of our components and latest technical developments, the ABSCISSE synthesizes the rigor of our work and the culmination of our research is to take us closer to the heart of the music.

ABSCISSE is a mathematical term referring to the axis given to our research in the past and tracing it toward the future. It was developed with the primary aim of creating as compact a system as possible, which can be installed with minimal positioning constraints. It responds perfectly to the request of a music loving public sensitive to shimmering timbres, breathing and articulation of an interpretation. Thanks to its exemplary linearity, its exact pulse response, and to a particularly fast and regular damping decay, the ABSCISSE has luminous expressiveness without a trace of hardness, enabling it to provide hours of listening without fatigue. It is modern in form and spirit: quick, transparent, and responsive to the slightest solicitation, without betraying the richness and natural warmth of complex sounds in all music styles. Its appearance is very sculptural, rooted in his time, thanks to its beautiful matte black lacquer.

Physically, the ABSCISSE disappears to make room for a very large, deep, and very stable soundstage. Its midrange and treble registers are very refined, both luminous and rich. Details of recording takes, the geometric proportions of a studio or a concert hall are very easy to read, without false light, letting the backgrounds sounds, too often obscured by an erratic gradient harmonic, come through with great freedom. The low end frequencies are fast and particularly well articulated, allowing the ABSCISSE to be installed in any room, even a very small one, with constant and perfectly controlled energy. ABSCISSE is the first creation developed without my father. It is the witness of my respect for his long work of talented researcher and of the fruit of the fabulous legacy he gave me during our many years of studies and common design.

• Bande passante: 35-25000 Hz
• Impedance: 4 Ohms
• Power handling capacity: 100 W
• Peak Power: 250 W
• Power handling: 40 à 250 W
• Sensitivity: 91 dB/W/M (2.83 V)
• Filter type: 6-12-18db/Octave à 400 et 2200 Hz
• Connection : Mono ou bi-câblage
• Dimensions: H 115; P 30; L 20 cm
• Bi-Amplification: Oui passive